Category: apartheid

Six things Nelson Mandela believed most people won’t want to talk about

On By A.P.In American imperialism, apartheid, Dr. D, Fidel Castro, George Bush, Iraq War, Kofi Annan, Malcom X, Mandela, Muammar Gaddafi, Nelson Mandela, Osama bin Laden, poverty, racism, slavery, South Africa, War on Terror, Yasser Arafat1 Comment

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In the desire to celebrate Nelson Mandela’s life — an iconic figure who triumphed over South Africa’s brutal apartheid regime — it’s tempting to homogenize his views into something everyone can support. This is not, however, an accurate representation of the man.

Mandela was a political activist and agitator. He did not shy away from controversy and he did not seek — or obtain — universal approval. Before and after his release from prison, he embraced an unabashedly progressive and provocative platform. As one commentator put it shortly after the announcement of the freedom fighter’s death, “Mandela will never, ever be your minstrel. Over the next few days you will try so, so hard to make him something he was not, and you will fail. You will try to smooth him, to sandblast him, to take away his Malcolm X. You will try to hide his anger from view.”

As the world remembers Mandela, here are some of the things he believed that many will gloss over.

1. Mandela blasted the Iraq War and American imperialism. Mandela called Bush “a president who has no foresight, who cannot think properly,” and accused him of “wanting to plunge the world into a holocaust” by going to war in Iraq. “All that (Mr. Bush) wants is Iraqi oil,” he said. Mandela even speculated that then-Secretary-General Kofi Annan was being undermined in the process because he was black. “They never did that when secretary-generals were white,” he said. He saw the Iraq War as a greater problem of American imperialism around the world. “If there is a country that has committed unspeakable atrocities in the world, it is the United States of America. They don’t care,” he said.

2. Mandela called freedom from poverty a “fundamental human right.” Mandela considered poverty one of the greatest evils in the world, and spoke out against inequality everywhere. “Massive poverty and obscene inequality are such terrible scourges of our times — times in which the world boasts breathtaking advances in science, technology, industry and wealth accumulation — that they have to rank alongside slavery and apartheid as social evils,” he said. He considered ending poverty a basic human duty: “Overcoming poverty is not a gesture of charity. It is an act of justice. It is the protection of a fundamental human right, the right to dignity and a decent life,” he said. “While poverty persists, there is no true freedom.”

3. Mandela criticized the “War on Terror” and the labeling of individuals as terrorists without due process. On the U.S. terrorist watch list until 2008 himself, Mandela was an outspoken critic of President George W. Bush’s war on terror. He warned against rushing to label terrorists without due process. While forcefully calling for Osama bin Laden to be brought to justice, Mandela remarked, “The labeling of Osama bin Laden as the terrorist responsible for those acts before he had been tried and convicted could also be seen as undermining some of the basic tenets of the rule of law.”

4. Mandela called out racism in America. On a trip to New York City in 1990, Mandela made a point of visiting Harlem and praising African Americans’ struggles against “the injustices of racist discrimination and economic equality.” He reminded a larger crowd at Yankee Stadium that racism was not exclusively a South African phenomenon. “As we enter the last decade of the 20th century, it is intolerable, unacceptable, that the cancer of racism is still eating away at the fabric of societies in different parts of our planet,” he said. “All of us, black and white, should spare no effort in our struggle against all forms and manifestations of racism, wherever and whenever it rears its ugly head.”

5. Mandela embraced some of America’s biggest political enemies. Mandela incited shock and anger in many American communities for refusing to denounce Cuban dictator Fidel Castro or Libyan Colonel Muammar Gaddafi, who had lent their support to Mandela against South African apartheid. “One of the mistakes the Western world makes is to think that their enemies should be our enemies,” he explained to an American TV audience. “We have our own struggle.” He added that those leaders “are placing resources at our disposal to win the struggle.” He also called the controversial Palestinian Liberation Organization leader Yasser Arafat “a comrade in arms.”

6. Mandela was a die-hard supporter of labor unions. Mandela visited the Detroit auto workers union when touring the U.S., immediately claiming kinship with them. “Sisters and brothers, friends and comrades, the man who is speaking is not a stranger here,” he said. “The man who is speaking is a member of the UAW. I am your flesh and blood.”

http://thinkprogress.org/home/2013/12/06/3030781/nelson-mandela-believed-people-wont-talk/

Thanks to Dr. D for bringing this to the attention of the It’s Interesting community.

Racism of early Polaroid colour photography explored in art exhibition

On By A.P.In Adam Broomberg, apartheid, Art, camera, Caroline Hunter, dompa, film, Garden Route, Goodman Gallery, Human Behavior, ID-2 camera, Jean-Luc Godard, Johannesburg, Karoo, Ken Williams, Kodak, Kodak Shirleys, Mozambique, Oliver Chanarin, Polaroid, Polaroid Workers Revolutionary Movement, racism, South Africa, To Photograph the Details of a Dark Horse in Low LightLeave a comment


Artists spent a month in South Africa taking pictures on decades-old film engineered with only white faces in mind.

Can the camera be racist? The question is explored in an exhibition that reflects on how Polaroid built an efficient tool for South Africa’s apartheid regime to photograph and police black people.

The London-based artists Adam Broomberg and Oliver Chanarin spent a month in South Africa taking pictures on decades-old film that had been engineered with only white faces in mind. They used Polaroid’s vintage ID-2 camera, which had a “boost” button to increase the flash – enabling it to be used to photograph black people for the notorious passbooks, or “dompas”, that allowed the state to control their movements.

The result was raw snaps of some of the country’s most beautiful flora and fauna from regions such as the Garden Route and the Karoo, an attempt by the artists to subvert what they say was the camera’s original, sinister intent.

Broomberg and Chanarin say their work, on show at Johannesburg’s Goodman Gallery, examines “the radical notion that prejudice might be inherent in the medium of photography itself”. They argue that early colour film was predicated on white skin: in 1977, when Jean-Luc Godard was invited on an assignment to Mozambique, he refused to use Kodak film on the grounds that the stock was inherently “racist”.

The light range was so narrow, Broomberg said, that “if you exposed film for a white kid, the black kid sitting next to him would be rendered invisible except for the whites of his eyes and teeth”. It was only when Kodak’s two biggest clients – the confectionary and furniture industries – complained that dark chocolate and dark furniture were losing out that it came up with a solution.

The artists feel certain that the ID-2 camera and its boost button were Polaroid’s answer to South Africa’s very specific need. “Black skin absorbs 42% more light. The button boosts the flash exactly 42%,” Broomberg explained. “It makes me believe it was designed for this purpose.”

In 1970 Caroline Hunter, a young chemist working for Polaroid in America, stumbled upon evidence that the company was effectively supporting apartheid. She and her partner Ken Williams formed the Polaroid Workers Revolutionary Movement and campaigned for a boycott. By 1977 Polaroid had withdrawn from South Africa, spurring an international divestment movement that was crucial to bringing down apartheid.

The title of the exhibition, To Photograph the Details of a Dark Horse in Low Light, refers to the coded phrase used by Kodak to describe a new film stock created in the early 1980s to address the inability of earlier films to accurately render dark skin.

The show also features norm reference cards that always used white women as a standard for measuring and calibrating skin tones when printing photographs. The series of “Kodak Shirleys” were named after the first model featured. Today such cards show multiple races.

Broomberg and Chanarin made two recent trips to Gabon to photograph a series of rare Bwiti initiation rituals using Kodak film stock, scavenged from eBay, that had expired in 1978. Working with outdated chemical processes, they salvaged just a single frame. Broomberg said: “Anything that comes out of that camera is a political document. If I take a shot of the carpet, that’s a political document.”

http://www.guardian.co.uk/artanddesign/2013/jan/25/racism-colour-photography-exhibition